SAND BUS features two bus compressor variants-type A and type C.
Both types offer slightly different approaches to dialing in the specific frequency you’re looking for. They feature four fully-parametric center bands with options to select bell or shelf shapes for the high and low bands. Type B curves are sampled from an SL 5000 series console and are noticeably more subtle. The type A curves are sampled from the SL 4000 G+ console and feature two fully-parametric center bands and two semi-parametric shelves. SAND EQ features two EQ & Filter variants-type A and type B. Instead, you’ll probably wind up like me using the three individual processors: SAND EQ, SAND BUS and SAND PRE. The one drawback is that the Sand plugin suite requires quite a bit of processing power, which means that on most systems you’ll rarely get to use the robust routing controls. If it included a proper preamp emulation, it would be the perfect SSL plug-in. All that, coupled with some new, modern features that are only practical in software means that bx_console is more versatile than any hardware channel strip can be.
Not only does bx_console totally nail the iconic SSL sound, it’s one of the only channel strips to recreate the channel-to-channel variations you would find on an actual console. However, with the press of a button, the compressor can be toggled from the E Series channel compressor to the G Series bus compressor on either plug-in.īx_console also adds modern features like wet/dry mix controls for parallel compression, a dedicated THD control for dialing in the perfect amount of distortion, and optional secondary release-time and HPF controls for the compressor. Both modules employ the standard VCA channel compressor/limiters and expander/gates. While both these bx_consoles offer their own unique EQ sections, they share a very similar dynamics section.
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